Egyptian-born Liverpool attacker Mo Salah has faced criticism for being depicted with a model on his latest magazine cover, which some argue highlights socioeconomic inequities.

Salah and Alessandra Ambrosio, a former Victoria’s Secret Angel, grace the cover of GQ Middle East.

In the original, they are seen side by side, however in the contentious second version, Ambrosio is depicted embracing him from behind.

A collective laugh is recorded in a behind-the-scenes clip showcasing the performers.
The predominant remarks, particularly from Egypt, emphasized Salah’s acceptance by the model despite his status as a married Muslim man raised in an Orthodox household.

A Twitter user said, “Envision if a married Muslim woman engaged in this behavior.”

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Individuals were so engrossed in the incident that they either neglected to congratulate the Liverpool star on receiving GQ’s Man of the Year award for 2019 or opted not to do so.

Salah faced a deluge of irate followers who scrutinized his ethics and condemned him for the images following the publication of the two covers on his social media platforms.

An individual on Instagram stated, “You ought to feel ashamed of yourself as a Muslim.”

Comments frequently contained jokes regarding the disintegration of Salah’s marriage. Millions of individuals worldwide follow the football player; nevertheless, he has yet to address the criticism.

Salah’s images were promptly associated with those of prominent Egyptian women who faced far more severe repercussions for actions considered immoral. Actress Rania Youssef confronted the prospect of a five-year incarceration after attending a red carpet event in a dress that exposed her upper thighs and legs.

Salah frequently shares candid photographs of himself on social media; his Instagram feed is abundant with them. The GQ incident highlights his challenging equilibrium among his identities as a Muslim, an Egyptian, and a prominent individual with a significant following across the Arab world.

Advocates of the striker challenged the rationale behind the criticism directed at the player, asserting that the photo shoot with Ambrosio was justified due to the player’s status as a local star in Egypt and an international A-lister.